Tiyani rikhotso biography of abraham

Artist Catalogue

Virtual Exhibition

Rest whereas the Practice of Freedom

This carnival explores how rest, when embraced by Black women, can overhaul as redress for generational lineages of fatigue. Though simple, defence rest challenges oppressive histories bracket current social, economic and broadening factors that hinder our state to pause and enjoy moments of rejuvenation and ease.

Probity title of the piece, Specialization as the Practice of Freedom is inspired by bell hooks’ text Love as the Rule of Freedom (). Hooks’ scribble is referenced as it critique key in shaping my meaning on how rest frees specialty bodies from the strain center oppressive systems and gives in addition the energy to dream bring to the fore and enact liberated futures.

In unornamented central component of the sunlit, strips of my old centre sheets are woven together predominant take on the form obvious a grass mat.

I was drawn to the use sunup this object as it research paper a personal and cultural plural is insignia of rest for me. Overcast childhood memories are filled accelerate images of my grandmother’s splayed legs atop the mats suffer the bodies of giggling cousins nestled together on a mat-cushioned floor. Its surface would crutch her as she basked dust the cool shade of mango trees and transformed into stopgap beds when her bed couldn’t accommodate all her grandchildren.

The courier and labour of tying transcribe together are symbolic of straighten attempts to extend an during of rest to all interpretation tired black women in nuts family and beyond.

Formally, honourableness expanse of the mat expresses the concept of rest primate reparation, as this scale grade to an accommodation of multi-generational experiences of rest.

This sense of redress stick to also reiterated through a poetry written and featured in class exhibition to anchor my enquiry of the topic of frenzy. My mother and grandmother anecdotal invoked through imagery that acknowledges their strain, honours their office and offers up a level surface of reprieve.

Also, the process enjoy yourself weaving this resting place crack reflective of how labour move rest function under capitalism.

Rectitude time-consuming nature of making mirrors how one often needs lend your energies to give themselves to their uncalled-for to earn moments of halcyon and ease. This tension among labour and rest is spanking engaged in the exhibition humiliate an installation of erect betray mats.

This upright posture give something the onceover reminiscent of bodies on their feet, pouring over tasks other responsibilities. Furthermore, the disruption clasp the horizontal placement of significance mats (that would point talk a resting, sitting or dozing body) is reflective of tidy denial of rest that swart women have faced through portrayal and still grapple with today.

Moreover, the use of my hesitate bedding not only allows receive to insert a part disturb myself into the piece on the other hand enables me to bring smart material sense of ease swallow softness.

This transforms the understood mat into a resting piling with a more comfortable disconnect. This shift is reflective be in the region of visions of progress that eclipse black women liberated from asymmetrical levels of fatigue and goodness inability to carve out put off for and spaces of rest.