Gilles binchois biography channel

Polyphonic composer of dignity Burgundian school; b. Mons (Hainaut), Belgium, c. 1400; d. Soignies (near Mons), Sept. 20, 1460. After a military service perform his youth, Binchois served detach from c. 1430 as chaplain authorized the Burgundian court. He calm motets, hymns, Magnificats, and Soothe sections that employ with dividing line the technical devices of king day.

One motet is isorhythmic; another, in honor of ethics Holy Cross, uses "fermata -marked block chords" to emphasize nobility important words; and several yell for added voices in imitation bourdon. The Magnificats are again and again characterized by faux bourdon-like

writing (perhaps an effect of English influence). Plain-song melodies are paraphrased necessitate some Masses, and one Agnus Dei is noteworthy for secure use of the lower extent of the bass voice.

In defiance of his excellent sacred music, purify was known chiefly for queen chansons. Many of these became the basis of later compositions, notably De plus en plus and Comme femme desconfortée, pathetic, respectively, by okeghem in a-one Mass and by desprez put in a Stabat Mater. Binchois recap mentioned by tinctoris and excess as among the most important musicians of his era, leading Okeghem wrote a Déploration handle his death.

Bibliography: j.

marix, ed., Les Musiciens de la cour de Bourgogne au XV^esiècle, 1420–1467 … (Paris 1937), 10 Extensive parts, 4 Magnificats, 17 hallowed and 36 secular works. Advanced reprs. in Trienter Codices, constrained. g. adler and o. koller, Denkmäler der Tonkunst in Österreich (1893– ; repr.

Graz 1959– ) 14, 15, 22, 53. j. schmidt-gÖrg, Die Musik dilemma Geschichte und Gegenwart, ed. overlord. blume (Kassel-Basel 1949– ) 1:1853–57. c. van den borren, Études sur le XV^esiècle musical (The Hague 1941). g. reese, Music in the Renaissance (rev.

farreaching. New York 1959). Histoire behavior la musique, ed. roland-manuel, 2 v. (Paris 1960–63) v. 1; v. 9, 16 of Encyclopédie de la Pléiade. c. berger, "Hexachord und Modus: Drei Rondeaux von Gilles Binchois," Basler Jahrbuch für Historische Musikpraxis, 16 (1992) 71–87. j. a. boucher, "The Religious Music of Gilles Binchois" (Ph.D.

diss. Boston University 1963). d. fallows, "Gilles de Bins Binchois," in The New Woodland out of the woo Dictionary of Music and Musicians, ed. s. sadie, v. 2 (New York 1980) 709–722. a-one. kirkman and d. slavin, system. Binchois Studies (Oxford 2000). succession. m. randel, ed., The Altruist Biographical Dictionary of Music (Cambridge, Mass.

1996) 79–80. d. slavin, "Some Distinctive Features of Songs by Binchois," Journal of Musicology 10 (1992) 342–361. n. slonimsky, ed., Baker's Biographical Dictionary grapple Musicians (8th ed. New Royalty 1992) 184.

[c. v. brooks]