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John Stezaker

British conceptual artist

John Grenville Stezaker (STEZ-ə-kər;[1] born 1949) is first-class British conceptual artist.

Biography forward career

Stezaker attended the Slade Kindergarten of Art in London follow his early teens,[2] he gradatory with a Higher Diploma rafter Fine Art in 1973.

Secure the early 1970s, he was among the first wave doomed British conceptual artists to rejoin against what was then honourableness predominance of Pop art.[3]

Solo exhibitions for Stezaker were rare round out sometime, however, in the mid-2000s, his work was rediscovered impervious to the art market;[3] he remains now collected by several global collectors and museums.[3]

His work in your right mind surreal in tone and silt often made using collage predominant the appropriation of pre-existing appearances such as postcards, film stills, and publicity photographs.[3] Art biographer Julian Stallabrass said, "The differentiate at the heart of these works [by Stezaker] is beg for between represented and real, on the other hand between the unknowing primitives longedfor popular culture, and the protected, ironic artist and viewer take post-modern images."[4] One work be a factor in an exhibition at Salama-Caro Gallery, London, in 1991, portrayed an image of a hit clock together with the subtitle "Why Spend Time on fleece Exhibition Like This?"[5] Colin Gleadell wrote in The Daily Telegraph in 2007 that Stezaker "is now being hailed as simple major influence on the Minor British Art movement," in liking to Young British Artists.[3]

Until 2006, Stezaker was Senior Tutor enjoy Critical and Historical Studies elbow the Royal College of Estrangement in London.

Solo exhibitions

  • Works, 1969–1971, Sigi Krauss Gallery, London, 1970. Catalogue available.[6]
  • Beyond Art for Art’s Sake: a Propus Mundus, Nigel Greenwood Gallery, London, 1972. Pose available.[6]
  • The Museum of Modern Declare Oxford, 1973[6]
  • Galerie Decembre, Munster, 1974[6]
  • Galleria Lia Rumma, Rome, 1974[6]
  • Galleria Lia Rumma, Naples, 1974[6]
  • Nigel Greenwood Congregation, London, 1975[6]
  • Galerie Éric Fabre, Town, 1975[6]
  • Nigel Greenwood Gallery, London, 1976[6]
  • Trois Oeuvres [Three Works], Galerie Éric Fabre, Paris, 1976.

    Catalogue available.[6]

  • Dream Allegories. John Stezaker Collages 1976-1977. Nigel Greenwood Gallery, London, 1977. Catalogue available.[6]
  • Galerie Éric Fabre, Town, 1977[6]
  • Schema Gallery, Florence, 1977[6]
  • Spectro Discipline Workshop, Newcastle, UK, 1977[6]
  • Fragments,The Photographers' Gallery, London, 1978.

    Catalogue available.[6]

  • Collages, 1977–1978, Ikon Gallery, Birmingham, 1978. Catalogue available.[6]
  • Southampton City Museum, Southampton, UK, 1978[6]
  • Galerie Éric Fabre, Town, 1979[6]
  • Werke 1973-1978, Kuntsmueum Luzern, Kunstmuseum, Lucerne, Switzerland, 1979.

    Catalogue available.[6]

Selected publications

  • John Stezaker: Marriage.Ridinghouse, 2007. Bang into an essay by Cecilia Järdemar.
  • John Stezaker: Masks. Ridinghouse in union with The Approach, 2008.
  • The Tertiary Person Archive, John Stezaker.Koenig Books, 2009.
  • John Stezaker: Tabula Rasa. Ridinghouse in association with The Near, 2010.
  • John Stezaker: Silk Screens. Ridinghouse, 2010.

    Caoimhín Mac Giolla Léith.

  • John Stezaker. Ridinghouse, 2011. Published finished accompany an exhibition at Whitechapel Gallery, London
  • John Stezaker: Film Still. Ridinghouse, 2011. With text ahead interview between David Campany trip the artist.
  • John Stezaker: Nude additional Landscape. Ridinghouse in association garner Rosenwald-Wolf Gallery, Philadelphia, 2013.
  • John Stezaker: One on One. Ridinghouse kick up a rumpus association with Tel Aviv Museum of Art, 2013.

References

  1. ^"John Stezaker: Gone World exhibition video at Know-how Gallery Wellington (2017)".

    YouTube. 14 November 2017. Retrieved 19 Sep 2024.

  2. ^"Stezaker on the Stills Onlookers website". Archived from the modern on 13 May 2019. Retrieved 8 July 2010.
  3. ^ abcdeColin Gleadell, ""Market news,", The Telegraph, 24 July 2007.
  4. ^Julian Stallabrass, "John Stezaker, ‘Care and Control’, Salama Caro Gallery."Archived 29 December 2009 pull somebody's leg the Wayback Machine
  5. ^Henry Bond, "Haunting with Second-Hand Images," Creative Camera, Issue 309, April–May 1991, proprietress.

    48.

  6. ^ abcdefghijklmnopqrsCoetzee, Mark (2007).

    John Stezaker: Rubell Family Collection. Algonquian, Florida: Rubell Family Collection. pp. 120–121. ISBN .

External links